"L'argent, ou la femme aux cheveux gris. Relecture du dernier film de Robert Bresson"


     I chose to read a small section from an academic paper by Raphael Picon for this week on Bresson's L'Argent. The article explains the great influence the Lumiere brothers had on Bresson. He wants to leave details out of the film in order for the audience to make assumptions. He refused to use actors to further develop this technique.  He asks complicated questions such as "What is the invisible dimension of the visible world?" and "What is the reality that cannot be captured?" These questions are what the author categorizes as Neo-Platonic questioning.
     One of the most important aspects of the film is Bresson's ability to create a neutral reality within the plot by using mechanical phrases and monotone lines. The character and image transform into a formulaic pattern that also leaves room for elements of surprise throughout his films.

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